I Have No Friends and Must Win | Stella Women’s Academy, High School Division Class C3, A Review

Management: This is a comprehensive review of own devising, where I go over a pro and con analysis of the material in an attempt to convince people to watch the show-in-review. Hopefully, in encouraging people in general to watch things I think are interesting, they’ll at least somewhat know what to expect while watching. For clarity’s sake, I’ll emphasize this: the review isn’t meant to be so much holistic as it is coverage of what I believe is of core importance to the show. 

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From the surface, Stella Women’s Academy, High School Division Class C3, or C3-bu for short, looks like it’s going to be K-On! with airsoft. It could also turn out to be Girls und Panzer, but with airsoft. Maybe Upotte!!, but instead of real guns, airsoft. Sabagebu! Its name translates from the literal Japanese equivalent of “airsoft.”

Not quite. Unlike all these aforementioned shows, C3-bu’s not treating girls with airsoft as fun and games, or airsoft as fun and games, or even airsoft as war as fun and games. It’s treating airsoft as war. And it’s treating war as war, and war is zero-sum. For the player of fortune, for fortune of victory, the fighting ends and fortune’s achieved only when one side wins it all and the other falls to hell. Other conditions notwithstanding, victory’s assured when the enemy side has been all shot. It is imperative that at least you must survive. It is imperative that you survive. You must survive. You are the player of fortune, after all. The player of victory… victory… victory…

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…believes Yura after a certain point. It’d be closer to the mark to say that C3-bu’s more like Evangelion.

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Serial Reason | Denpa Teki na Kanojo, a Review

Management: This is a comprehensive review of own devising, where I go over a pro and con analysis of the material in an attempt to convince people to watch the show-in-review. Hopefully, in encouraging people in general to watch things I think are interesting, they’ll at least somewhat know what to expect while watching. For clarity’s sake, I’ll emphasize this: the review isn’t meant to be so much holistic as it is coverage of what I believe is of core importance to the show. 

Elements  of this essay take from some of Sigmund Freud’s ideas. That being said, the inclusion of those elements are not meant to be a total affirmation of everything they believe.

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Occasionally, news organs will report a sensationalist spate of grisly crimes with the perpetrator caught or the perpetrator at-large. Well, bombings, rapes, murders, etc. aren’t sensationalist per se, because when they happen, they can happen with all the perverse gruesome details people can imagine and probably more. What is sensationalist about this whole business is the “pundits” it spawns that attempt to make sense of all this, and of those “pundits,” there are many that say it’s futile to make sense it all, to make sense of the perpetrators’ motives and mindsets. No one in their right minds would perpetrate these these kinds of actions.

What’s less extreme, but still abnormal are individuals that we may more commonly encounter, in schools perhaps, that, nonetheless, exhibit very pronounced idiosyncrasies, ingrained beliefs and habitual behaviors beyond what could be considered conventionally shy, forward, etc.

Whether extreme and dangerous or strange and inconvenient,  by conventional, societal views, these people are beyond reason people defy reason.

Or they seem to. Denpa Teki na Kanojo serves to demonstrate, some of these people might actually be comprehensible, but in a different way.

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