“Identity through Inou-Battle” or「エンドレスパラドックス!!!」

Management: Somewhat of a general review, somewhat of a thematic analysis, and somewhat just two anime dorks having fun with words, roleplay, and other nerd geek weaboo stuff, this is a collaboration work between ZeroReq011 of therefore it is and Frog-kun of Fantastic Memes. Sentences, images, and perhaps some voice impersonation was contributed jointly and staggeredly by the both of us in creation of this piece.

ZeroReq011: It’s a pseudo-harem set-up day at school. Four girls. One guy. The standout quirk of said guy is that he’s a–

Frog-kun: Zero, what are you–


Frog-kun: O-Oh my God…

ZeroReq011: Don’t worry. She respawns.

Frog-kun: W-W-Why…

ZeroReq011: Because chuunibyou. Chuuni. I’m practicing my chuuni impression for this piece. You like it? Come now, you know I’m not actually evil.

Frog-kun: …r–

ZeroReq011: –ight then!

When Supernatural Battles Become Commonplace 1

When Supernatural Battles Became Commonplace. Inou-Battle wa Nichijou-kei no Naka de. Inou-Battle for short. The one guy and four girls (okay, five girls, but her ship’s sunk pretty early on) are inexplicably granted superpowers. Naturally, they continue with their commonplace school lives.

Now, the show’s not ultimately concerned about the “great responsibility” that comes with “great power” Spiderman spiel. It’s more thematically concerned with discussing chuunibyou tropes, eccentricities in general, and aspects of otaku culture.

Frog-kun: So we’re talking about Inou-Battle then. Right… then..? R-Right then.

It’s a pretty good show, I guess. Had its ups and downs. Its inconsistency was one of the more interesting things about it. There are parts of the show which actually play out the chuuni fantasy and other occasions where it’s discussed through a “reader’s” or even the “outsider’s” perspective. The focus of the show was really haphazard, but at least it tried to say something different in each episode.

ZeroReq011: It plays its cards close to the more cliche things you’d find in anime romcoms and anime humor in general. There’s a certain self-aware, sarcastic wit to it that makes many of the show’s cliche gags pretty entertaining and pretty clever in some ways. Then there were others that ended up being pretty uninspired. Inou-Battle some outstanding dramatic highlights though, and it’s shone interesting insight on a number of themes.

Kanji 1

Chuunibyou (Endless Paradox)

ZeroReq011: Among the different themes Inou-Battle commented on was the chuunibyou fantasy. You’ve made a post about the chuunibyou aspect of the show before, no? 

Frog-kun: Yes I did.

When Supernatural Battles Become Commonplace 2

ZeroReq011: Chuunibyo demo Koi ga Shitai!, or Love, Chuunibyou, & Other Delusions! was obviously the show that made the chuunibyou condition popular as an anime trope. Do you know whether or not chuunibyou was a fully realized thing in Japan before Yuuta and Rikka made their debut?

Frog-kun: The term “chuunibyou” was said to be coined by the Japanese comedian Hikaru Ijuin back in the 90s, but the term has picked up steam in recent years, particularly among light novel readers.

When Supernatural Battles Become Commonplace 3

Remember the chuuni character Zaimokuza from the Oregairu novels, who really wants to be a light novel author? And remember how Tomoyo in Inou-Battle is initially embarrassed to admit she wants to write light novels because people will think of her as chuuni? The way I see it, writing light novels is on the same tier as writing epic Tolkien-inspired fantasies back in high school.

ZeroReq011: Attempting, and failing miserably.

Frog-kun: Who hasn’t attempted something like that or knows someone who has?

ZeroReq011: Not me. Nope.

Frog-kun: Was I the only one then–

ZeroReq011: Chuunibyou, based on my familiarity of it, has been portrayed as either the butt of ridicule, immature behavior, or both–

Frog-kun: Stop cutting me off–

ZeroReq011: Something to laugh at deprecatingly–

Frog-kun: You’re laughing at me behind that screen, aren’t you–

ZeroReq011: Characters may be more than their chuunibyou in certain respects, but the chuunibyou part of them is presented as more a foible than anything.

Inou-Battle takes the different route of portraying it positively. Not unconditionally, mind you, but in a manner that’s not too different from more eccentric folk who take on eccentric hobbies. You can apply that to geeky hobby enthusiasts, and no doubt anime and manga are somewhat things of a geeky nature to indulge in. Consuming animanga culture the way fans of anime do is rather eccentric by mainstream society’s standards. More so for us because we’re relatively open about it.

Kanji 2

Shame (Otaku)

ZeroReq011: There’s always this friction that’s generated when niche and mainstream opposites approach each other, but these geeky hobbies get a bad rep of self-absorption, of people obsessing hours and weeks and years over their geeky games, geeky shows, or geeky literature that they disconnect from reality and morality. There are obviously people that do disconnect from reality (I obviously don’t recommend that), but the majority of us know the boundaries, more or less. We can be eccentric. We can be social. Neither’s mutually exclusive from the other, but that does require that we be self-aware and critical of how we behave.

Frog-kun: Speaking of being open about one’s hobbies, the other day one of my friends literally referred to his little sister as his “imouto,” right in front of his little sister and mother.

ZeroReq011: “Brave” soul. Or is the word for it “depraved?”

When Supernatural Battles Become Commonplace 4

Frog-kun: He was having fun.

But about whether there’s something shameful about geek hobbies, I’m of two minds about this. I think the exaggerated chuunibyou archetype is a self-deprecating joke on geek hobbies, which is why a lot of people who are no longer teenagers can still identify with it. I disagree that anime and manga portrays this negatively. I think on the whole, it’s portrayed as an endearing joke. Deprecating, but endearing. Inou-Battle makes that its main focus, though, and actively analyses it.

Kanji 3

Shared Language (Loneliness)

Frog-kun: For instance, on the one hand, Andou strives to be totally open about his chuuni hobbies and his play-acting. On the other, Hatoko can’t understand him. He connects best with Tomoyo who is a chuuni (though in denial) just like him. Geek hobbies can exclude others, even as geeks form connections with each other. What do you think of this?

ZeroReq011: Oh, no doubt. Reminds me of the “I Am a Gamer!” speech in Log Horizon S2 Episode 10. Extending geek hobbies from chuunibyo and animanga to gaming, you can see how gamers end up retreating from people in the real world into their own virtual worlds, all the while making companions of the people in the virtual worlds they retreat to.

We want to be understood and accepted for what believe is who we are, but in the process, our unwillingness to compromise, consciously or not, alienates other people. We become unable to make friends with people who don’t understand, and those people who don’t comprehend yet want to be close with us are unable to feel that proximity. A somewhat vicious cycle perpetuated in part by our own viciousness.

When Supernatural Battles Become Commonplace 6

Now that you mention it, Hatoko’s “I Don’t Understand!” monologue in Episode 7 additionally saves Andou’s character from being Mr. Perfect, but with chuuni. The monologue’s length was breath-chortling, and it’s execution was breath-taking. To be perfectly honest with you though, I thought Inou-Battle could have dragged this issue of self-complicity out longer. Andou got slapped pretty hard by Tomoyo, sure, but then Hatoko was saved after being abruptly kidnapped by a magical subplot diversion, and everything sort of just went back to commonplace.

Frog-kun: I get the feeling the author wasn’t sure how to answer the questions that monologue brought up. How can you remain chuuni while still connecting with people that don’t understand your particular interests?

I think that’s a question young people are concerned with very much, although as we get older, we tend to realise that everyone else in the world has interests we’ll never entirely understand. And that’s not such a big tragedy.

I guess what I’m trying to say is that this isn’t just a problem faced by people with geeky interests. But besides that one scene, Inou-Battle doesn’t quite go far enough articulating Hatoko’s point of view, which is probably why that arc’s resolution was ultimately so disappointing.

Kanji 4

LOVE (Endless Paradox)

When Supernatural Battles Become Commonplace 5

aka Best Girl

ZeroReq011: What was also disappointing was the introduction of the “fairy war” subplot. I think isolated, the episode that really went out of its way to introduce this subplot as a thing is fun in itself. Like if you knew nothing about Inou-Battle and you got into the series watching Episode 8 first for some reason, I doubt the community reaction to it would be as severe as it had been. Of course, from a flow-of-narrative standpoint, plopping it down where it was like a drunk driver doing a hit-and-run. Episode 7 hit a very tender thematic nerve, and Episode 8 ran away from addressing this theme with all the sobriety and sincerity it deserved. It then lightly touches on the subplot further, though without much coherency.

That being said, Episode 8 did allow the show an excusable means to almost directly comment about otaku thinking on things like self-inserts and shipping. It was Episode 9, I think?

Frog-kun: Yep. Sagami’s role was like that of the fanfiction author. He just knows the harem tropes and consciously manipulates them, all for the sake of his shipping. Of course, he has ulterior motives as well related to the “fairy war” subplot, but since that’s unresolved, what we’re left with is a character who remains fairly inscrutable to the audience. His lines, though, are familiar to anyone immersed in fandom culture.

When Supernatural Battles Become Commonplace 7

He talks in tropes. “Sayumi can’t win because she’s a glasses character!” He (correctly) identifies her as a side character in the scheme of things. He wants her to win so he scripts out events to his own liking.

As fascinating as this sounds from a meta-storytelling perspective, there was a downside to this plot development as well. Andou, who had up until then been an interesting character with realistic flaws, becomes a passive character whose main characteristic is that all the girls like him.

Kanji 5

Love (Fake)

Frog-kun: Speaking of harems, though, what did you think of the harem set up with Inou-Battle? You’ve mentioned before that you’re not a fan of the genre, but here we are discussing an anime that’s just chock full of stereotypical harem moments.

Inou-Battle 1

ZeroReq011: Pseudo-harem set up. The show might have played around with anime harem tropes as much as Andou played around at being chuunibyou, but it also knew the boundaries, and it made sure, to a large extent, to keep harem antics and the overarching themes separate. I’m a rather self-serious person when it comes to the media I watch, and harems, to a large extent, aren’t really serious attempts at depicting, commenting, or exploring human relationships. I may be amused at times, but ultimately, I can tolerate harem for so long until I need something else to give me substance, as in the case with Inou-Battle.

That being said, I kind of hoped Inou-Battle might have taken down its harem elements down its more realistic conclusion of being untenable, similar to perhaps the narrative direction of White Album 2, but it didn’t. Wasted potential, particularly with Sayumi and Chifuyu (not to say their individual character arcs weren’t interesting in themselves), but oh well.

Frog-kun: In the end, Sayumi and Chifuyu were pretty useless. I was, however, impressed by how the camaraderie between the literature club members transcended the romantic tensions. It felt like they were all close friends first, love interests second.

Kanji 6

A Long Time Ago (Yesterday)

When Supernatural Battles Become Commonplace 8

Sorry, the far left girl’s ship was sunk early on.

ZeroReq011: You know, Frog-kun. We’ve been talking chuunibyou and other stuff all serious-like, but we should close this piece with something funny.

Frog-kun: What do you have in mind?

ZeroReq011: You’re a recovering chuunibyou, no?

Frog-kun: Nooooooooo how could you tell?

ZeroReq011: I am God. Tell us.

Frog-kun: Whyyyyyy?

ZeroReq011: Because it’s funny.

Frog-kun: F-Fine, if you’ll stop bothering me…

…do you remember Naruto?

ZeroReq011: Who doesn’t?

Frog-kun: Well, back in eighth grade, I really identified with Rock Lee. And… well… oh God… I can’t continue…

ZeroReq011: I am God. Continue.

Frog-kun: For the better part of eighth grade, I-I wore leg weights underneath my pants. Just like Rock Lee. I was totally training to be the fastest runner in my grade.

ZeroReq011: Forget what I said. I’m the Devil. I’m… I’m bunnycat! Seriously, stop–

Frog-kun: Then the sports festival came and… I-I got sixth… didn’t even make it to the next heat. I was so sad I remember crying and pigging out on KFC afterwards, declaring that all the Nejis in the world were out to get me…

ZeroReq011: Frog-kun. Stop–

Just thinking about… p-please excuse me…

Frog-kun: Then there’s my internet alias–

ZeroReq011: Frog-kun–

Frog-kun: Exactly! I came up with “Frog-kun” in 8th grade. I was really obsessed with Chrono Trigger and as you might imagine my favourite character from the game was Frog. In the original English translation of the game, Frog talks like this Shakespearean character, so I remember studying Shakespeare really hard in class just so I could talk ye olde Englishe Frog–

ZeroReq011: FROG-KUN

Frog-kun: Huh? What? I was getting to the good part–

ZeroReq011: I-I know we agreed to offer personal anecdotes for this piece, b-but I’m not your damn therapist.

Frog-kun: Wait, didn’t the script call for you insulting me during that?

ZeroReq011: D-Did it now? You’ve broken the 4th wall before. How can’t I–

Frog-kun:  Did I make you uncomfortable?

ZeroReq011: …y-yes.

Frog-kun: Why?

ZeroReq011: Because.

Frog-kun: Whyyyyyyy?

ZeroReq011: B-Because.

Frog-kun: Zero, it’s only fair that you share–

Zero-kun: NEVER

Frog-kun: Tell me the truth–


Frog-kun: Share with us Zero-kun~


S-So yeah. I might have been a little too into Code Geass before I might have repeatedly recited that “I will bathe in your blood!” line from the Kessen video game at some point, and I might have written some Runescape fan fiction in eighth grade–


ZeroReq011: Sh-Shut up–


ZeroReq011: C-Can we end this piece now?

Frog-kun: Huh? Why? We were just getting to the good part!

ZeroReq011: You have anything more to say about Inou-Battle?

Frog-kun: Of course I do! Tomoyo is Best Girl and-

ZeroReq011: Done.

Management: As per the nature of the writing, this piece can also be found on Frog-kun’s Fantastic Memes.


10 thoughts on ““Identity through Inou-Battle” or「エンドレスパラドックス!!!」

  1. Pingback: “Identity through Inou-Battle” or「エンドレスパラドックス!!!」 | Fantastic Memes

  2. Awesome collab, guys! It actually makes me feel much better about the show as a whole. I do love good chuuni tales. You two were such precious teens 😛

    That being said, I kind of hoped Inou-Battle might have taken down its harem elements down its more realistic conclusion of being untenable, similar to perhaps the narrative direction of White Album 2, but it didn’t.

    Completely agree with that, and honestly found the series hard to forgive for not doing it. Sayumi’s conflict had something to it, undeveloped though it was, but I could have done without Chifuyu altogether. And Hatoko. Hatoko why? You were supposed to be best girl. ;_;

    I’m also not of the opinion that the meta elements with Sagami as the fanfiction author justified episode 8. I could make a case that Sagami and the other ‘fairy war’ characters are used as examples of people who take the chuuni thing too far. The ones a little too obsessed with their fandom and identity. and then our main cast the ones who realise the whole chuunibyou thing is all pretend, since they function pretty well within society otherwise. But it seems too much of a stretch. I think they could have done it a little more gracefully, but oh well.

    I sort of mentioned this before on froggys previous post, but I really did like how useless Andou’s power was. All it was good for was posturing and looking cool, which is what chuunibyou is is all about anyway. It was perfect for him, because it literally gave him the ability to be chuuni, but much more effectively! I even kind of like the way they played with it ‘levelling up’ in the end, with it being something that damages him. Much like the way getting too into your fantasies can cause you harm in real life.

    • I didn’t have many friends when I was a teen.

      I wouldn’t say the meta commentary on self-insert otaku culture justifies Episode 8 so much as Episode 8 prevents the meta commentary from being a sudden ass-pull. Outside of eliminating it altogether, the show could have incorporated the “fairy war” subplot more seamlessly had it been more vague about it, or followed it gradually from the start, but what’s aired is aired.

      Interesting point about Andou, though that deduction somewhat conflicts with his own self-aware reflections on his “chuuniism.”

    • A lot of conversations about Inou Battle seem to revolve around its vague gesticulations about what it could have been, rather than how it actually explores its themes. I enjoyed the SOL angle far more than the pseudo-fantasy, pseudo-harem elements. To be honest, I lost faith in those show after episode 8 after the disappointing conclusion to Hatoko’s outburst. It still had those small moments of clever insight, like the true extent of Andou’s power. I liked how you pointed it out!

      Another good moment at the end of the anime was Hatoko and Tomoyo’s final conversation. Tomoyo eases Hatoko into romance LNs instead of the full-blown chuuni stuff Andou likes. It’s a small moment, but it’s genuine compromise between “geek” and “non-geek” identity. I wish that had been the focus of the scene, instead of the love triangle stuff.

      • Yeah, it’s pretty difficult not to talk about what it could have been, since it did often flash us with moments that felt genuinely inspired and clever. I lost faith after that, too. I was pretty much angry with the series for the rest of its airtime. But like I said, this post made me feel better about the series as a whole. It reminded me of the things I liked about it. And yeah, I liked that part too, the interactions between Tomoyo and Hatoko were the thing I liked best about everything post-episode 7 🙂

        Zero: Well yeah,that’s exactly why it works. ‘Levelling up’ represents the very real danger of going too far for Andou, and if he did he would literally lose the ability to turn it on and off at will. But he has more sense than that, and is very happy with his power as it is

      • Whemleh: I suppose? I feel like the point made with his power upgrade could have been better made if he actually became deluded enough at some point. That his “leveling up” paralleled his “losing his way,” the latter of which I don’t think ever quite happened.

      • Very true. This really is another what could have been moment. And the thought is mostly me justifying the fact that Andous power actually does something, which I never wanted it to. And I suppose a weak case could be made that it /did/ happen before, hence the flashback where his friends had to save him. The Andou we see is the Andou post-losing his way.

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