Management: This essay is meant to be less of a review and more of analysis of the show being examined. It contains plot spoilers for the Land of the Lustrous anime.
So there’s many little details in Buddhist art and imagery that are actually supposed to signify something important in Buddhism — symbolize some value that the religion itself teaches. Study the iconography of any buddha sculpted or painted, and you might notice that they’re depicted doing something funky with their hands. It turns out that how a buddha’s hands are positioned determines what kind of Buddhist value is being communicated. A buddha depicted with an open palm forward communicates reassurance to the onlooker from suffering. A buddha depicted with a finger touching the ground communicates the realization by the figure of enlightenment. The same weighty symbolism can be said about a buddha’s eyes, which if you think about it, are often depicted in a manner that doesn’t reflect how people’s eyes normally look. They look like a combination of stoic and placid, and they’re supposed to represent what a person’s eyes would look after they reach enlightenment: aware, mindful, and content.
Of course, eyes have significations outside of Buddhist ones. Eyes attached to a face appear different between the developmental stages of infancy and adulthood. Illustrators and animators have played with how to depict eye composition and movement. Eyes are often said to be windows to the soul in adage. Eyes can reveal much about a person’s emotional state upon psychical study. They are associated with qualities related to people in stasis. They also convey qualities about people in action. The condition of Phosphophyllite’s eyes changes over the course of Land of the Lustrous, from wide and doey to narrow and sharp. In fact, the gem’s latter eye set looks positively buddha-eyed. Based off of the show’s more-than-flirtatious usage of Buddhist iconography, I don’t think this resemblance is a coincidence.