Management: While my opinion of the show is positive overall, this essay, by no means, is meant to serve as a comprehensive review, but rather, as an articulation and analysis of some of what I feel is this series’ most integral and interesting themes. While this piece will reference other parts of the show, this essay will primarily break down the events of Episodes 1-3, which cover the Valley of Death Arc, Episode 3-6, which cover the Ortus Arc, and Episode 9, “Where Gravekeepers Are Born.”
I wrote a piece some time ago about Kino’s Journey and the importance of approaching the different countries in the show visited by Kino and, by proxy, the audience through the anthropological lens of cultural relativism. What may be seen within a culture, different from our own, as an illogical lifestyle and a barbaric morality to the foreign observer looking from without may be a completely reasonable lifestyle and acceptable morality to the native participant engaging from within. That doesn’t necessarily mean that we can’t ultimately disagree and reject lifestyles and moralities different from our own. However, trying to make sense of a culture or a person without temporarily suspending our own ethnocentric impulses and prejudices kills attempts at creating empathy and shuts down productive discussion. You’re not going to understand the worldview of someone if the only conversation you can have with that someone is “Whose worldview is better than the other’s?”
In the spirit of cultural relativism, Sunday Without God presents two remarkable back-to-back arcs that approach the universe’s cultural understanding of death and the undead in opposite ways. The latter arc is a thematic reaction to the first arc. Encompassing Episodes 1-3 is the first arc of the show, Valley of Death. Encompassing Episodes 4-6 is the second arc, Ortus. Within these arcs is the main character and observer constant, Ai Astin, whose views about death and the undead evolve over the course of the places she visits and the people she meets.